Waratah Painting – Acrylic Botanical Studies
Some of the many incredible Waratah varieties from my huge waratah reference collection
Below are just some of my Waratah (Telopea) painting subjects from the past to present with everything from straight botanical illustrations, to ‘full plate’ graphite illustrations, natural history bird studies, my usual bird paintings, traditional, contemporary, large and small, rendered in watercolour and in acrylics… the extremely challenging waratah has always been a favourite painting subject of mine to explore as you can see. All sold, clients for each of these pieces have included Australian Geographic, West Hotel/Hilton Group, Margaret Flockton Botanical Illustration Award, private commissions and acquisitions, so theres quite a range of destinations for these works.
Since the commission of the White Waratah painting for the gorgeous West Hotel in Sydney city (White Waratah on black background pictured above), I have been dying to find a moment in my schedule to return to this theme, and at last, the time has come to get started on the first painting! Continuing on this crazy popular work, I now plan to continue this collection further to a series of 3 waratah studies in acrylics – white, pink and red. Whilst its hard to make collections happen in practice, and we can only really commit to the one at hand at any time, I have finally ben able to make a start to seeing this collection through to eventuality. It will take some time, but the first underway.
Each a little over A3 in size, each in this series is available for purchase and will make a stunning collection so please let me know if you have an interest in these pieces, or just feel free to join me in the process of the first one unfolding and enjoy! First up comes the roughing in, black on terracotta, followed by the dark green of the leaves of the new White Waratah study before working the leaf details up slowly to completion, ready for the flower to emerge.
With the leaves in, its time to move onto detailing the stem. Its amazing how the completion of this element always bering cohesion to a botanical study and this painting is no different